L’installazione come atlante di immagini: potere espositivo e immagini in azione PDF Print Email

Elena Tavani


The essay suggests an assembly of ideas (orientation, exibition, performance) that in integration can cast light on aesthetic experience related to some eminent image-atlases, and on their ‘orienting’ inherent quality, beyond any didactic or cartographic function. I see in particular the displaying- and performing-power of  installation in Aby Warburg’s Bilderatlas and Gerhard Richter’s Atlas, together with Marcel Broodthaers’s iconoclastic pseudo-museums and mixed-medium installations as possible laboratories for activation of extended object-, history-, and self-understandings.


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